All episodes Season 4 S04E21 1963-03-05 60 min 1950s ABC

The Untouchables

The Man in the Cooler

TV Flash files “The Man in the Cooler” as hour 109 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 4, episode 21, aired 1963-03-05, 60 min.

From the desk

How this hour is filed

This leaf is S04E21: listed hour 109 of 118 in the The Untouchables guide, hour 21 of 30 in season 4. It aired 1963-03-05 (60 min). The listed hour before it is “Junk Man” (S04E20). Next is “The Butcher's Boy” (S04E22).

The Untouchables — The Man in the Cooler (S04E21)

Catalog log

Broadcast listing — not a TV Flash recap.

Ness arranges parole for convict Al Remp, in order for Remp to obtain information enough to convict his old boss, bootlegger Fat Augie Strom. Remp's wife is not informed about the fact that Remp is actually working for Ness, and begs Ness to put her husband back in jail where she feels he's safe from the temptation of power. As he works his way up in Strom's organization, will Remp be able to resist the idea of going back to his old way of life?

Viewer FAQ

Where does The Man in the Cooler sit in the The Untouchables guide?

S04E21 is listed hour 109 of 118 — hour 21 of 30 in season 4, season 4 episode 21.

When did The Untouchables S04E21 air?

The Man in the Cooler aired 1963-03-05 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Also in season 4

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