The Untouchables
The Charlie Argos Story
TV Flash files “The Charlie Argos Story” as hour 114 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 4, episode 26, aired 1963-04-16, 60 min.
From the desk
How this hour is filed
This leaf is S04E26: listed hour 114 of 118 in the The Untouchables guide, hour 26 of 30 in season 4. It aired 1963-04-16 (60 min). The listed hour before it is “The Giant Killer” (S04E25). Next is “The Jazz Man” (S04E27).
Catalog log
Broadcast listing — not a TV Flash recap.
Prohibition has come to an end and bootlegger Frank "The King" Argos has also come to the end of his life. He asks Ness to be the executor of his estate. Ness declines, for obvious reasons. Argos has left everything to his son Charlie, who was declared missing in action at the very end of World War I. When his former minions (Arno Beale and Marcy Devon, played by Christopher Dark and Patricia Owens) find that life without Argos's money is not to their liking, they recruit and train someone to pose as the long-lost Charlie.
Viewer FAQ
Where does The Charlie Argos Story sit in the The Untouchables guide?
S04E26 is listed hour 114 of 118 — hour 26 of 30 in season 4, season 4 episode 26.
When did The Untouchables S04E26 air?
The Charlie Argos Story aired 1963-04-16 and is listed at 60 minutes.
Where should I start?
Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.
In the series
Why this series still plays
The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.
The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.
Filed against
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- Bruce Gordon as Frank Nitti
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