All episodes Season 4 S04E28 1963-05-07 60 min 1950s ABC

The Untouchables

The Torpedo

TV Flash files “The Torpedo” as hour 116 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 4, episode 28, aired 1963-05-07, 60 min.

From the desk

How this hour is filed

This leaf is S04E28: listed hour 116 of 118 in the The Untouchables guide, hour 28 of 30 in season 4. It aired 1963-05-07 (60 min). The listed hour before it is “The Jazz Man” (S04E27). Next is “Line of Fire” (S04E29).

The Untouchables — The Torpedo (S04E28)

Catalog log

Broadcast listing — not a TV Flash recap.

Mobster Victor Kurtz makes peace with his main rival for illegal liquor distribution in Chicago's South Side, Monk Lyselle. All goes well for several months until Eliot Ness and his men begin to intervene. They begin to hijack Kurtz' trucks and he automatically assumes that Lyselle has broken their agreement. Over the several months there was peace, Kurtz' main gunman, Holly Kester, has lost his nerve and Ness focuses on him as a possible way to put both Kurtz and Lyselle out of business.

Viewer FAQ

Where does The Torpedo sit in the The Untouchables guide?

S04E28 is listed hour 116 of 118 — hour 28 of 30 in season 4, season 4 episode 28.

When did The Untouchables S04E28 air?

The Torpedo aired 1963-05-07 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 4

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