All episodes Season 3 S03E18 2002-05-01 60 min 1990s NBC

The West Wing

Enemies Foreign and Domestic

TV Flash files “Enemies Foreign and Domestic” as hour 62 of 154 in the TV Flash guide — The West Wing (1999–2006) on NBC, season 3, episode 18, aired 2002-05-01, 60 min.

From the desk

How this hour is filed

This leaf is S03E18: listed hour 62 of 154 in the The West Wing guide, hour 18 of 21 in season 3. It aired 2002-05-01 (60 min). The listed hour before it is “Stirred” (S03E17). Next is “The Black Vera Wang” (S03E19).

The West Wing — Enemies Foreign and Domestic (S03E18)

Catalog log

Broadcast listing — not a TV Flash recap.

The revelation that a Russian company may be building a heavy water reactor in Iran puts Jed in a difficult position as he prepares to meet with the new Russian president; Jed orders the Secret Service to protect C.J. when she receives death threats after making a comment at a press conference about the deaths of Saudi girls; Leo wants to find a way to help a major campaign contributor whose company is faced with a massive product recall; Charlie ponders the mystery of a strangely out of context letter written to the President.

Viewer FAQ

Where does Enemies Foreign and Domestic sit in the The West Wing guide?

S03E18 is listed hour 62 of 154 — hour 18 of 21 in season 3, season 3 episode 18.

When did The West Wing S03E18 air?

Enemies Foreign and Domestic aired 2002-05-01 and is listed at 60 minutes.

Where should I start?

The pilot. The walk-and-talk contract is the show. If the first hour’s pep talk feels like a recruitment ad, that is the thesis, not a bug.

In the series

Why this series still plays

Watch it for the music of people who still believe the job can be noble — network prestige as civic romance, not documentary. The Sorkin years are the novel; later seasons are the building after the composer leaves. If you want power ugly, that is another desk. This one wanted the walk.

Listen to the footsteps first. The West Wing is a drama of motion: staffers cutting corners of the set as if speed were a moral quality. Aaron Sorkin did not invent the walk-and-talk, but he made it a civic rhythm — information as music, governance as a job you could love if the lighting were kind. Martin Sheen’s Bartlet is not a president so much as a conductor. The orchestra is the communications shop, the counsel’s office, the people who speak in complete sentences because the show believes they should.

Open the The West Wing package · Season 3 hub

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Also in season 3

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