The Wire
Stray Rounds
TV Flash files “Stray Rounds” as hour 22 of 60 in the TV Flash guide — The Wire (2002–2008) on HBO, season 2, episode 9, aired 2003-08-03, 60 min.
From the desk
How this hour is filed
This leaf is S02E09: listed hour 22 of 60 in the The Wire guide, hour 9 of 12 in season 2. It aired 2003-08-03 (60 min). The listed hour before it is “Duck and Cover” (S02E08). Next is “Storm Warnings” (S02E10).
Catalog log
Broadcast listing — not a TV Flash recap.
"The world is a smaller place now." – The Greek The detail is dismayed at the lack of activity from their subjects and realizes that they must be changing their operating procedure. Nick moves higher in the underworld when Vondas allows him to wholesale drugs on their behalf. On the new drug corner they commandeered from their rivals Bodie and crew are involved in a shootout that kills a child. Rawls greets Major Howard "Bunny" Colvin at the scene of the shooting; Colvin disapproves of Rawls' counter-strategy of large-scale strike operations through the Western District. Stringer meets with Proposition Joe behind Avon's back to discuss turning over some West side territory in exchange for a cut of the Greeks' drugs. Avon complicates Stringer's attempted betrayal by hiring feared hit man Brother Mouzone to drive off rival dealers.
Viewer FAQ
Where does Stray Rounds sit in the The Wire guide?
S02E09 is listed hour 22 of 60 — hour 9 of 12 in season 2, season 2 episode 9.
When did The Wire S02E09 air?
Stray Rounds aired 2003-08-03 and is listed at 60 minutes.
Where should I start The Wire?
Episode one of season one. The show is a five-volume novel; skipping the corner season to “get to the good part” is how you miss the grammar.
In the series
Why this series still plays
Watch it as a civic novel that happens to be television: each season a new institution, the same city refusing to be solved. Characters function inside systems, not merch. Start at the corner; stay for the report card — and for a newsroom closer that still argues with the first wire.
Open on a street that is already an argument. The first hour of The Wire does not introduce a hero so much as a jurisdiction: a corner, a courtroom, a police department already lying to itself about what it can solve. David Simon and Ed Burns write Baltimore as a set of interlocking machines — drugs, docks, City Hall, schools, the newsroom — and then ask television to behave like a novel that refuses a narrator’s mercy. If you came for an antihero origin story, the text will starve you politely. If you came to…
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