The Wire
Storm Warnings
TV Flash files “Storm Warnings” as hour 23 of 60 in the TV Flash guide — The Wire (2002–2008) on HBO, season 2, episode 10, aired 2003-08-10, 60 min.
From the desk
How this hour is filed
This leaf is S02E10: listed hour 23 of 60 in the The Wire guide, hour 10 of 12 in season 2. It aired 2003-08-10 (60 min). The listed hour before it is “Stray Rounds” (S02E09). Next is “Bad Dreams” (S02E11).
Catalog log
Broadcast listing — not a TV Flash recap.
"It pays to go with the union card every time." – Ziggy Ethnic tension over the next union secretary continues to build; Sobotka still plans to run contrary to a long-standing gentlemen's agreement. Ziggy steals four new cars from the docks and fences three to Glekas who double-crosses Ziggy by halving his original cut. Ziggy in a rage shoots a young Greek employee and kills Glekas. He remains outside the warehouse to turn himself in. Nick is the first to learn of his cousin's arrest and after facing the wrath of his uncle, drowns his sorrows in a local park. The detail uses satellite technology to its advantage but meets a setback as Valchek turns over control of the investigation to the FBI. Bodie is pleased with the new supply of drugs, but unhappy that Proposition Joe's nephew Cheese is on his turf. Cheese is wounded by Brother Mouzone, further complicating relations between Stringer and Proposition Joe.
Viewer FAQ
Where does Storm Warnings sit in the The Wire guide?
S02E10 is listed hour 23 of 60 — hour 10 of 12 in season 2, season 2 episode 10.
When did The Wire S02E10 air?
Storm Warnings aired 2003-08-10 and is listed at 60 minutes.
Where should I start The Wire?
Episode one of season one. The show is a five-volume novel; skipping the corner season to “get to the good part” is how you miss the grammar.
In the series
Why this series still plays
Watch it as a civic novel that happens to be television: each season a new institution, the same city refusing to be solved. Characters function inside systems, not merch. Start at the corner; stay for the report card — and for a newsroom closer that still argues with the first wire.
Open on a street that is already an argument. The first hour of The Wire does not introduce a hero so much as a jurisdiction: a corner, a courtroom, a police department already lying to itself about what it can solve. David Simon and Ed Burns write Baltimore as a set of interlocking machines — drugs, docks, City Hall, schools, the newsroom — and then ask television to behave like a novel that refuses a narrator’s mercy. If you came for an antihero origin story, the text will starve you politely. If you came to…
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Idris Elba’s Stringer Bell is The Wire’s MBA language trying to colonize a street that will not be colonized — civic instrument, not brand extension. David Simon’s Baltimore treats institutions as leads; Stringer is the corner with a…
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