All episodes Season 2 S02E05 2004-12-12 30 min 2000s Fox

Arrested Development

Sad Sack

TV Flash files “Sad Sack” as hour 27 of 84 in the TV Flash guide — Arrested Development (2003–2006) on Fox, season 2, episode 5, aired 2004-12-12, 30 min.

From the desk

How this hour is filed

This leaf is S02E05: listed hour 27 of 84 in the Arrested Development guide, hour 5 of 18 in season 2. It aired 2004-12-12 (30 min). The listed hour before it is “Good Grief!” (S02E04). Next is “Afternoon Delight” (S02E06).

Arrested Development — Sad Sack (S02E05)

Catalog log

Broadcast listing — not a TV Flash recap.

When Wayne Jarvis is assigned to prosecute George Sr., he threatens Michael to turn in his father or go to jail. Michael, who has hidden his father in the attic, convinces him to stay hidden until he can figure out what to do. George Sr. confesses that he is only in town to win back Lucille and Michael is concerned that he will find out about Lucille's relationship with Oscar. Meanwhile, Lindsay spends more time with Maeby to get closer to Steve Holt and Tobias starts working out.

Viewer FAQ

Where does Sad Sack sit in the Arrested Development guide?

S02E05 is listed hour 27 of 84 — hour 5 of 18 in season 2, season 2 episode 5.

When did Arrested Development S02E05 air?

Sad Sack aired 2004-12-12 and is listed at 30 minutes.

Where should I start Arrested Development?

The Fox pilot. Season one teaches the dialect — narrator, callbacks, model home. Do not start at the Netflix seasons and work backward.

In the series

Why this series still plays

A sitcom written like a crossword: callbacks as plot, narration as a raised eyebrow. Watch the Fox years for joke density unmatched on network; treat the Netflix seasons as a different machine. It teaches rewatch comedy, then tests whether revival is the same sport — and it does have a last episode, in 2019.

Open on a narrator who is already the joke. Ron Howard’s voice is not garnish; it is a formal device, a raised eyebrow with residuals. Arrested Development, created by Mitchell Hurwitz, treats the single-camera sitcom like a crossword: callbacks as plot, cutaways as punctuation, a family so densely incompetent that rewatch becomes a second job. Jason Bateman’s Michael is the straight man as a structural beam. Will Arnett’s Gob, Portia de Rossi’s Lindsay, Michael Cera’s George Michael, Alia Shawkat’s Maeby, Tony…

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Also in season 2

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