All episodes Season 2 S02E07 2005-01-16 30 min 2000s Fox

Arrested Development

Switch Hitter

TV Flash files “Switch Hitter” as hour 29 of 84 in the TV Flash guide — Arrested Development (2003–2006) on Fox, season 2, episode 7, aired 2005-01-16, 30 min.

From the desk

How this hour is filed

This leaf is S02E07: listed hour 29 of 84 in the Arrested Development guide, hour 7 of 18 in season 2. It aired 2005-01-16 (30 min). The listed hour before it is “Afternoon Delight” (S02E06). Next is “Queen for a Day” (S02E08).

Arrested Development — Switch Hitter (S02E07)

Catalog log

Broadcast listing — not a TV Flash recap.

When the president of a rival company, Sitwell, hires away Gob in an effort to win the big company softball game against the Bluth Co., Michael asks Gob to throw the game. Gob grapples with the idea, but finds his new boss supportive and fatherly, which catches him off guard. Meanwhile, Lindsay takes anti-depressants and the bizarre side effects include hallucinations and a strong sense of team spirit.

Viewer FAQ

Where does Switch Hitter sit in the Arrested Development guide?

S02E07 is listed hour 29 of 84 — hour 7 of 18 in season 2, season 2 episode 7.

When did Arrested Development S02E07 air?

Switch Hitter aired 2005-01-16 and is listed at 30 minutes.

Where should I start Arrested Development?

The Fox pilot. Season one teaches the dialect — narrator, callbacks, model home. Do not start at the Netflix seasons and work backward.

In the series

Why this series still plays

A sitcom written like a crossword: callbacks as plot, narration as a raised eyebrow. Watch the Fox years for joke density unmatched on network; treat the Netflix seasons as a different machine. It teaches rewatch comedy, then tests whether revival is the same sport — and it does have a last episode, in 2019.

Open on a narrator who is already the joke. Ron Howard’s voice is not garnish; it is a formal device, a raised eyebrow with residuals. Arrested Development, created by Mitchell Hurwitz, treats the single-camera sitcom like a crossword: callbacks as plot, cutaways as punctuation, a family so densely incompetent that rewatch becomes a second job. Jason Bateman’s Michael is the straight man as a structural beam. Will Arnett’s Gob, Portia de Rossi’s Lindsay, Michael Cera’s George Michael, Alia Shawkat’s Maeby, Tony…

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Also in season 2

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