Arrested Development
Ready, Aim, Marry Me
TV Flash files “Ready, Aim, Marry Me” as hour 32 of 84 in the TV Flash guide — Arrested Development (2003–2006) on Fox, season 2, episode 10, aired 2005-02-13, 30 min.
From the desk
How this hour is filed
This leaf is S02E10: listed hour 32 of 84 in the Arrested Development guide, hour 10 of 18 in season 2. It aired 2005-02-13 (30 min). The listed hour before it is “Burning Love” (S02E09). Next is “Out on a Limb” (S02E11).
Catalog log
Broadcast listing — not a TV Flash recap.
The Bluths are worried that Lucille 2 is making a deal to sell the company, so George Sr. suggests calling an old family friend, Uncle Jack, for help. But when creepy Uncle Jack agrees to come to their aid only if he gets a date with Lindsay, Michael must come up with a plan to distract Tobias. Meanwhile, Gob and Buster team up to find out what Lucille 2 is up to and end up fighting over her.
Viewer FAQ
Where does Ready, Aim, Marry Me sit in the Arrested Development guide?
S02E10 is listed hour 32 of 84 — hour 10 of 18 in season 2, season 2 episode 10.
When did Arrested Development S02E10 air?
Ready, Aim, Marry Me aired 2005-02-13 and is listed at 30 minutes.
Where should I start Arrested Development?
The Fox pilot. Season one teaches the dialect — narrator, callbacks, model home. Do not start at the Netflix seasons and work backward.
In the series
Why this series still plays
A sitcom written like a crossword: callbacks as plot, narration as a raised eyebrow. Watch the Fox years for joke density unmatched on network; treat the Netflix seasons as a different machine. It teaches rewatch comedy, then tests whether revival is the same sport — and it does have a last episode, in 2019.
Open on a narrator who is already the joke. Ron Howard’s voice is not garnish; it is a formal device, a raised eyebrow with residuals. Arrested Development, created by Mitchell Hurwitz, treats the single-camera sitcom like a crossword: callbacks as plot, cutaways as punctuation, a family so densely incompetent that rewatch becomes a second job. Jason Bateman’s Michael is the straight man as a structural beam. Will Arnett’s Gob, Portia de Rossi’s Lindsay, Michael Cera’s George Michael, Alia Shawkat’s Maeby, Tony…
Filed against
- Jason Bateman as Michael Bluth
Jason Bateman’s straight-man Michael Bluth held Arrested Development’s callback circus together — a crossword sitcom whose only adult is also a punch line. Fox cult, Netflix revival, a family so densely incompetent that rewatch is a…
- Portia de Rossi as Lindsay Bluth Fünke
Portia de Rossi’s Lindsay Bluth Fünke is Arrested Development’s activist as costume — a Bluth who treats causes like outfits and family like a crossword clue. Mitchell Hurwitz wrote callbacks as plot; Ron Howard’s narration raised an…
- Will Arnett as Gob Bluth
Will Arnett’s Gob Bluth made Arrested Development a magician’s disaster in a tailored suit — Mitchell Hurwitz’s crossword sitcom, Fox cult joke density, narration as a raised eyebrow, callbacks as plot. On TV Flash he is illusion as…
- Michael Cera as George Michael Bluth
Michael Cera’s George Michael Bluth is Arrested Development’s awkward moral weather — the son who still thinks a kiss is a constitutional crisis inside Mitchell Hurwitz’s crossword sitcom. Fox cult, Netflix revival, narration as a raised…
- Alia Shawkat as Maeby Fünke
Alia Shawkat’s Maeby Fünke turned Arrested Development’s teenage scheming into callback comedy gold — fake IDs, studio lots, and deadpan family chaos. She grew up inside cult rewatch culture and never lost the edge. TV Flash keeps her on…
- Tony Hale as Buster Bluth
Tony Hale’s Buster Bluth made Arrested Development’s mother issues into physical comedy gold, then became Selina Meyer’s human shield Gary on Veep. Emmy-winning anxiety as art form. Callbacks as sitcom architecture, humiliation as a D.C.…