All episodes Season 2 S02E17 2005-04-10 30 min 2000s Fox

Arrested Development

Spring Breakout

TV Flash files “Spring Breakout” as hour 39 of 84 in the TV Flash guide — Arrested Development (2003–2006) on Fox, season 2, episode 17, aired 2005-04-10, 30 min.

From the desk

How this hour is filed

This leaf is S02E17: listed hour 39 of 84 in the Arrested Development guide, hour 17 of 18 in season 2. It aired 2005-04-10 (30 min). The listed hour before it is “Meet the Veals” (S02E16). Next is “The Righteous Brothers” (S02E18).

Arrested Development — Spring Breakout (S02E17)

Catalog log

Broadcast listing — not a TV Flash recap.

It's Spring Break, and Gob gets the chance to confront Phillip Litt, the guy who featured Gob's magic trick mistakes on a "Girls with Low Self-Esteem" video. Meanwhile, Lucille's drinking is out of control and Michael tricks her into going to rehab by telling her it's a spa. But when Kitty kidnaps George Sr. and attempts to blackmail the Bluths, Michael must turn to Lucille for help.

Viewer FAQ

Where does Spring Breakout sit in the Arrested Development guide?

S02E17 is listed hour 39 of 84 — hour 17 of 18 in season 2, season 2 episode 17.

When did Arrested Development S02E17 air?

Spring Breakout aired 2005-04-10 and is listed at 30 minutes.

Where should I start Arrested Development?

The Fox pilot. Season one teaches the dialect — narrator, callbacks, model home. Do not start at the Netflix seasons and work backward.

In the series

Why this series still plays

A sitcom written like a crossword: callbacks as plot, narration as a raised eyebrow. Watch the Fox years for joke density unmatched on network; treat the Netflix seasons as a different machine. It teaches rewatch comedy, then tests whether revival is the same sport — and it does have a last episode, in 2019.

Open on a narrator who is already the joke. Ron Howard’s voice is not garnish; it is a formal device, a raised eyebrow with residuals. Arrested Development, created by Mitchell Hurwitz, treats the single-camera sitcom like a crossword: callbacks as plot, cutaways as punctuation, a family so densely incompetent that rewatch becomes a second job. Jason Bateman’s Michael is the straight man as a structural beam. Will Arnett’s Gob, Portia de Rossi’s Lindsay, Michael Cera’s George Michael, Alia Shawkat’s Maeby, Tony…

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