Law & Order
Good Girl
TV Flash files “Good Girl” as hour 137 of 545 in the TV Flash guide — Law & Order (1990–2010) on NBC, season 7, episode 3, aired 1996-10-07, 60 min.
From the desk
How this hour is filed
This leaf is S07E03: listed hour 137 of 545 in the Law & Order guide, hour 3 of 23 in season 7. It aired 1996-10-07 (60 min). The listed hour before it is “ID” (S07E02). Next is “Survivor” (S07E04). Broadcast log — titles and dates, not a plot bible.
Catalog log
Broadcast listing — not a TV Flash recap.
Briscoe and Curtis have to break the mutual alibi of two girlfriends as they try to find the killer of a young black man, whose angry parents pressure McCoy to indict a young woman who claims the victim had raped her.
Viewer FAQ
Where does Good Girl sit in the Law & Order guide?
S07E03 is listed hour 137 of 545 — hour 3 of 23 in season 7, season 7 episode 3.
When did Law & Order S07E03 air?
Good Girl aired 1996-10-07 and is listed at 60 minutes.
Do I watch in order, or is it modular?
Modular is the point. Cases close. Casts change. Start anywhere in the original 1990–2010 run and you will understand the clang within twenty minutes. Order matters only if you care which partner is standing next to whom.
In the series
Why this series still plays
For the walnut that became a city: street then courtroom, a clang as civic punctuation, and two decades of interchangeable parts that taught TV how to clone a night. Comfort is the feature. The original 1990–2010 cathedral still teaches the form; the revival is the machine refusing to clock out.
Picture a Tuesday when the nation still had a cop show that split like a walnut: first the street, then the courtroom, a clang on the soundtrack that became civic punctuation. Law & Order premiered September 13, 1990, on NBC, created by Dick Wolf, and it did not invent the procedural so much as industrialize it. Prescription for Death is the template in miniature — a hospital night, a dead patient, cops then lawyers, no hug required. On the palate: newsprint, a New York that looks like a location budget with a…
Filed against
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Benjamin Bratt’s Det. Rey Curtis brought intensity to Law & Order’s dun-dun empire — partner chemistry, ripped-from-headlines cool, and franchise modular star power. He made the squad room feel urgent. TV Flash keeps him in the procedural…
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