Law & Order
Ain't No Love
TV Flash files “Ain't No Love” as hour 338 of 545 in the TV Flash guide — Law & Order (1990–2010) on NBC, season 15, episode 13, aired 2005-01-12, 60 min.
From the desk
How this hour is filed
This leaf is S15E13: listed hour 338 of 545 in the Law & Order guide, hour 13 of 24 in season 15. It aired 2005-01-12 (60 min). The listed hour before it is “Mammon” (S15E12). Next is “Fluency” (S15E14). Broadcast log — titles and dates, not a plot bible.
Catalog log
Broadcast listing — not a TV Flash recap.
Detectives Fontana and Green move to the beat of hip-hop when a legendary rapper is shot to death and evidence points to the victim's young protege (as Shawn,Sean Nelson) who was known to be cutting his own music on bootlegged street CD's, and more clues can be found in one song's lyrics that describe a similar killing. As police tie in another previous murder, DA's McCoy and Southerlyn seek the e-mail addresses from a thuggish record label's web site that could unlock the case, even as the two prosecutors clash over admissible facts, as the investigation unfolds, Southerlyn's opinions put her sharply at odds with both McCoy and Branch, the latter of whom begins to feel that Southerlyn is not cut out to work in the DA's office.
Viewer FAQ
Where does Ain't No Love sit in the Law & Order guide?
S15E13 is listed hour 338 of 545 — hour 13 of 24 in season 15, season 15 episode 13.
When did Law & Order S15E13 air?
Ain't No Love aired 2005-01-12 and is listed at 60 minutes.
Do I watch in order, or is it modular?
Modular is the point. Cases close. Casts change. Start anywhere in the original 1990–2010 run and you will understand the clang within twenty minutes. Order matters only if you care which partner is standing next to whom.
In the series
Why this series still plays
For the walnut that became a city: street then courtroom, a clang as civic punctuation, and two decades of interchangeable parts that taught TV how to clone a night. Comfort is the feature. The original 1990–2010 cathedral still teaches the form; the revival is the machine refusing to clock out.
Picture a Tuesday when the nation still had a cop show that split like a walnut: first the street, then the courtroom, a clang on the soundtrack that became civic punctuation. Law & Order premiered September 13, 1990, on NBC, created by Dick Wolf, and it did not invent the procedural so much as industrialize it. Prescription for Death is the template in miniature — a hospital night, a dead patient, cops then lawyers, no hug required. On the palate: newsprint, a New York that looks like a location budget with a…
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