All episodes Season 1 S01E03 1957-10-05 60 min 1950s CBS

Perry Mason

Erle Stanley Gardner's The Case of the Nervous Accomplice

TV Flash files “Erle Stanley Gardner's The Case of the Nervous Accomplice” as hour 3 of 271 in the TV Flash guide — Perry Mason (1957–1966) on CBS, season 1, episode 3, aired 1957-10-05, 60 min.

From the desk

How this hour is filed

This leaf is S01E03: listed hour 3 of 271 in the Perry Mason guide, hour 3 of 39 in season 1. It aired 1957-10-05 (60 min). The listed hour before it is “Erle Stanley Gardner's The Case of the Sleepwalker's Niece” (S01E02). Next is “Erle Stanley Gardner's The Case of the Drowning Duck” (S01E04).

Perry Mason — Erle Stanley Gardner's The Case of the Nervous Accomplice (S01E03)

Catalog log

Broadcast listing — not a TV Flash recap.

A wealthy woman hires Mason to buy stock in her husband's land company, hoping to force his mistress out. But her plan goes awry when she is charged with murder.

Viewer FAQ

Where does Erle Stanley Gardner's The Case of the Nervous Accomplice sit in the Perry Mason guide?

S01E03 is listed hour 3 of 271 — hour 3 of 39 in season 1, season 1 episode 3.

When did Perry Mason S01E03 air?

Erle Stanley Gardner's The Case of the Nervous Accomplice aired 1957-10-05 and is listed at 60 minutes.

Where should I start?

Start with the 1957 restless-redhead opener to learn the grammar, then one tight first-season case. The pleasure is structure, not a serialized mystery box.

In the series

Why this series still plays

Burr’s stillness is the camera’s argument: delay as pleasure, court as stage, the last witness as a kept promise. Watch a weekly legal machine that made justice appointment theater — then the rare hour the rails fail, which is how you learn the contract was always a contract.

Watch the stillness first. Raymond Burr does not play brilliance as sweat. He plays it as furniture that has already been placed. Perry Mason, from the 1957 opener onward, is a legal procedural that understands delay as pleasure: investigation as a corridor, the courtroom as a stage, the last witness as a structural promise. The tabloids will say Burr’s public image was a managed cathedral — and they are not wrong, as gossip. The cut says something dryer. The camera trusts a man who barely moves, then lets the…

Open the Perry Mason package · Season 1 hub

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Also in season 1

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