All episodes Season 3 S03E08 1961-12-07 60 min 1950s ABC

The Untouchables

Man Killer

TV Flash files “Man Killer” as hour 68 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 3, episode 8, aired 1961-12-07, 60 min.

From the desk

How this hour is filed

This leaf is S03E08: listed hour 68 of 118 in the The Untouchables guide, hour 8 of 28 in season 3. It aired 1961-12-07 (60 min). The listed hour before it is “Jigsaw” (S03E07). Next is “City Without a Name” (S03E09).

The Untouchables — Man Killer (S03E08)

Catalog log

Broadcast listing — not a TV Flash recap.

Eliot Ness and his men are having success shutting down the narcotics trade in Chicago thanks to a series of anonymous telephone tips. Ness manages to trace the call to a phone booth and identify the caller as Nick Dulov, owner of the Windy City cab company. Dulov has stolen Nitti's 15 kilo shipment of heroin and then gives it back to him - with a proposition that they go into the narcotics distribution business together.

Viewer FAQ

Where does Man Killer sit in the The Untouchables guide?

S03E08 is listed hour 68 of 118 — hour 8 of 28 in season 3, season 3 episode 8.

When did The Untouchables S03E08 air?

Man Killer aired 1961-12-07 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Also in season 3

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