All episodes Season 3 S03E12 1962-01-11 60 min 1950s ABC

The Untouchables

Fall Guy

TV Flash files “Fall Guy” as hour 72 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 3, episode 12, aired 1962-01-11, 60 min.

From the desk

How this hour is filed

This leaf is S03E12: listed hour 72 of 118 in the The Untouchables guide, hour 12 of 28 in season 3. It aired 1962-01-11 (60 min). The listed hour before it is “The Canada Run” (S03E11). Next is “The Gang War” (S03E13).

The Untouchables — Fall Guy (S03E12)

Catalog log

Broadcast listing — not a TV Flash recap.

After mob hit-man Frankie Gruder kills a warehouse guard -- and is almost nabbed by Ness and his men in the process -- he turns to his old friend Julius Vernon to get him out of it. Vernon conspires with Willie Willinsky, who knows practically every crook in town, to find someone to plead guilty to the murder. The fraud works so well that Vernon suggests the three of them form an employment agency of sorts. Anyone who wants a crime committed need only tell them what they want done.

Viewer FAQ

Where does Fall Guy sit in the The Untouchables guide?

S03E12 is listed hour 72 of 118 — hour 12 of 28 in season 3, season 3 episode 12.

When did The Untouchables S03E12 air?

Fall Guy aired 1962-01-11 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 3

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