All episodes Season 3 S03E17 1962-03-01 60 min 1950s ABC

The Untouchables

Takeover

TV Flash files “Takeover” as hour 77 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 3, episode 17, aired 1962-03-01, 60 min.

From the desk

How this hour is filed

This leaf is S03E17: listed hour 77 of 118 in the The Untouchables guide, hour 17 of 28 in season 3. It aired 1962-03-01 (60 min). The listed hour before it is “The Death Tree” (S03E16). Next is “The Stryker Brothers” (S03E18).

The Untouchables — Takeover (S03E17)

Catalog log

Broadcast listing — not a TV Flash recap.

The demand for real beer goes unabated and Charlie Zenko tries to consolidate his control of the North side of Chicago. He arranges for brew master Franz Koenig to get a visit from Eliot Ness. At his trial however, Koenig is saved when a stranger, Leo Mencken, provides him with the alibi he needs. Soon Koenig and Mencken are partners and are using Mencken's unique way of temporarily masking the re-alcoholization of the beer they produce.

Viewer FAQ

Where does Takeover sit in the The Untouchables guide?

S03E17 is listed hour 77 of 118 — hour 17 of 28 in season 3, season 3 episode 17.

When did The Untouchables S03E17 air?

Takeover aired 1962-03-01 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 3

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