All episodes Season 3 S03E19 1962-03-22 60 min 1950s ABC

The Untouchables

Element of Danger

TV Flash files “Element of Danger” as hour 79 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 3, episode 19, aired 1962-03-22, 60 min.

From the desk

How this hour is filed

This leaf is S03E19: listed hour 79 of 118 in the The Untouchables guide, hour 19 of 28 in season 3. It aired 1962-03-22 (60 min). The listed hour before it is “The Stryker Brothers” (S03E18). Next is “The Maggie Storm Story” (S03E20).

The Untouchables — Element of Danger (S03E19)

Catalog log

Broadcast listing — not a TV Flash recap.

Victor Rait has developed a new method for converting opium to heroin and he and his partner Arnold Stegler hope to make a handsome profit. When Rait kills a Chicago policeman, who was actually on loan and working for Eliot Ness, he realizes that they have to clear out of their current location. Just as they are leaving Ness and his men arrives and Rait pretends to be an innocent bystander and witness to the shooting.

Viewer FAQ

Where does Element of Danger sit in the The Untouchables guide?

S03E19 is listed hour 79 of 118 — hour 19 of 28 in season 3, season 3 episode 19.

When did The Untouchables S03E19 air?

Element of Danger aired 1962-03-22 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Also in season 3

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