All episodes Season 3 S03E27 1962-06-28 60 min 1950s ABC

The Untouchables

Arsenal

TV Flash files “Arsenal” as hour 87 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 3, episode 27, aired 1962-06-28, 60 min.

From the desk

How this hour is filed

This leaf is S03E27: listed hour 87 of 118 in the The Untouchables guide, hour 27 of 28 in season 3. It aired 1962-06-28 (60 min). The listed hour before it is “Pressure” (S03E26). Next is “The Monkey Wrench” (S03E28).

The Untouchables — Arsenal (S03E27)

Catalog log

Broadcast listing — not a TV Flash recap.

Frank Nitti and Bugs Moran are about to go to war, and to forestall that possibility, Elliot Ness and the Untouchables begin rounding up every machine gun owned by the gangsters' hitmen. To resupply himself, Nitti hires Polish gunsmith Jan Trobek to make a dozen Tommy guns. Unfortunately for Trobek and his wife, Nitti and Moran soon settle their differences, which means that the pair are now witnesses who could turn into liabilities for Nitti.

Viewer FAQ

Where does Arsenal sit in the The Untouchables guide?

S03E27 is listed hour 87 of 118 — hour 27 of 28 in season 3, season 3 episode 27.

When did The Untouchables S03E27 air?

Arsenal aired 1962-06-28 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 3

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