The Untouchables
Come and Kill Me
TV Flash files “Come and Kill Me” as hour 97 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 4, episode 9, aired 1962-11-27, 60 min.
From the desk
How this hour is filed
This leaf is S04E09: listed hour 97 of 118 in the The Untouchables guide, hour 9 of 30 in season 4. It aired 1962-11-27 (60 min). The listed hour before it is “Elegy” (S04E08). Next is “A Fist of Five” (S04E10).
Catalog log
Broadcast listing — not a TV Flash recap.
After a mobster with valuable information is killed in broad daylight at the racetrack, Eliot Ness and his men try to identify the killer. No one will admit knowing him but by tracing his movements, they find he was a regular visitor to the home of Dexter Lloyd Bayless who lives in a well-to-do suburb of Chicago. Through surveillance, they note that he has regular visitors in the afternoon and Ness decides to break into the house to plant a listening device. Through that, they learn that Bayless is running a very special school out of his home: a school for assassins.
Viewer FAQ
Where does Come and Kill Me sit in the The Untouchables guide?
S04E09 is listed hour 97 of 118 — hour 9 of 30 in season 4, season 4 episode 9.
When did The Untouchables S04E09 air?
Come and Kill Me aired 1962-11-27 and is listed at 60 minutes.
Where should I start?
Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.
In the series
Why this series still plays
The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.
The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.
Filed against
- Robert Stack as Eliot Ness
Robert Stack’s Eliot Ness granite-stared through The Untouchables — Capone’s Chicago, Walter Winchell’s newsreel bark, machine-gun morality in sharp suits — then put on Unsolved Mysteries’ trench coat until the theme song became a…
- Nicholas Georgiade as Agent Rossi
Nicholas Georgiade’s Agent Rossi rode The Untouchables’ machine-gun morality in a sharp suit — 1950s Eliot Ness versus Capone’s Chicago, Robert Stack’s granite stare, Walter Winchell’s newsreel bark, Desilu muscle. TV Flash files him as…
- Paul Picerni as Agent Youngfellow
Paul Picerni played Agent Youngfellow on The Untouchables, 1950s Eliot Ness versus Capone’s Chicago — Robert Stack’s granite stare, Walter Winchell’s newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Violent prestige…
- Bruce Gordon as Frank Nitti
Bruce Gordon played Frank Nitti on The Untouchables — Capone muscle opposite Robert Stack's granite Eliot Ness, Walter Winchell's newsreel bark, Desilu machine-gun morality in sharp suits. Violent prestige crime that pushed 1950s network…