All episodes Season 4 S04E10 1962-12-04 60 min 1950s ABC

The Untouchables

A Fist of Five

TV Flash files “A Fist of Five” as hour 98 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 4, episode 10, aired 1962-12-04, 60 min.

From the desk

How this hour is filed

This leaf is S04E10: listed hour 98 of 118 in the The Untouchables guide, hour 10 of 30 in season 4. It aired 1962-12-04 (60 min). The listed hour before it is “Come and Kill Me” (S04E09). Next is “The Floyd Gibbons Story” (S04E11).

The Untouchables — A Fist of Five (S04E10)

Catalog log

Broadcast listing — not a TV Flash recap.

Mike Brannon is a tough cop but his two blocks of Chicago are among the safest there are. He has a tendency to be rough with hoodlums and when he beats up one of Tony Lamberto's boys he finds himself on indefinite suspension. Fed up with his corrupt superiors, he decides the time has come for him to make some money so he enlists his four brothers in a plot to kidnap Lamberto and hold him for $150,000 ransom.

Viewer FAQ

Where does A Fist of Five sit in the The Untouchables guide?

S04E10 is listed hour 98 of 118 — hour 10 of 30 in season 4, season 4 episode 10.

When did The Untouchables S04E10 air?

A Fist of Five aired 1962-12-04 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 4

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