The Untouchables
Blues for a Gone Goose
TV Flash files “Blues for a Gone Goose” as hour 105 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 4, episode 17, aired 1963-01-29, 60 min.
From the desk
How this hour is filed
This leaf is S04E17: listed hour 105 of 118 in the The Untouchables guide, hour 17 of 30 in season 4. It aired 1963-01-29 (60 min). The listed hour before it is “Jake Dance” (S04E16). Next is “Globe of Death” (S04E18).
Catalog log
Broadcast listing — not a TV Flash recap.
Ray 'Goose' Gander runs a jazz club in Chicago and he's coming under pressure from mobster Lou Cagan to sell booze at the club. Gander is a former musician who is in the business for the love of the music and wants nothing to do with selling the mob's liquor, but he's being backed into a corner. His protégé, trumpeter Eddie Moon, urges him to pack it in and go on the road but when Gander refuses, Eddie also talks him out of signing up with Cagan.
Viewer FAQ
Where does Blues for a Gone Goose sit in the The Untouchables guide?
S04E17 is listed hour 105 of 118 — hour 17 of 30 in season 4, season 4 episode 17.
When did The Untouchables S04E17 air?
Blues for a Gone Goose aired 1963-01-29 and is listed at 60 minutes.
Where should I start?
Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.
In the series
Why this series still plays
The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.
The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.
Filed against
- Robert Stack as Eliot Ness
Robert Stack’s Eliot Ness granite-stared through The Untouchables — Capone’s Chicago, Walter Winchell’s newsreel bark, machine-gun morality in sharp suits — then put on Unsolved Mysteries’ trench coat until the theme song became a…
- Nicholas Georgiade as Agent Rossi
Nicholas Georgiade’s Agent Rossi rode The Untouchables’ machine-gun morality in a sharp suit — 1950s Eliot Ness versus Capone’s Chicago, Robert Stack’s granite stare, Walter Winchell’s newsreel bark, Desilu muscle. TV Flash files him as…
- Paul Picerni as Agent Youngfellow
Paul Picerni played Agent Youngfellow on The Untouchables, 1950s Eliot Ness versus Capone’s Chicago — Robert Stack’s granite stare, Walter Winchell’s newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Violent prestige…
- Bruce Gordon as Frank Nitti
Bruce Gordon played Frank Nitti on The Untouchables — Capone muscle opposite Robert Stack's granite Eliot Ness, Walter Winchell's newsreel bark, Desilu machine-gun morality in sharp suits. Violent prestige crime that pushed 1950s network…