All episodes Season 4 S04E18 1963-02-05 60 min 1950s ABC

The Untouchables

Globe of Death

TV Flash files “Globe of Death” as hour 106 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 4, episode 18, aired 1963-02-05, 60 min.

From the desk

How this hour is filed

This leaf is S04E18: listed hour 106 of 118 in the The Untouchables guide, hour 18 of 30 in season 4. It aired 1963-02-05 (60 min). The listed hour before it is “Blues for a Gone Goose” (S04E17). Next is “An Eye for an Eye” (S04E19).

The Untouchables — Globe of Death (S04E18)

Catalog log

Broadcast listing — not a TV Flash recap.

Frank Nitti decides to import a large amount of heroin - $2 million worth. Eliot Ness is soon onto him and arrests the delivery man, Mr. Yang from Shanghai, but he no longer has the goods and they have no reason to detain him. Ness and one of his men travel to San Francisco to see if they can determine how the goods were smuggled into the country and determine that it entered on a passenger cruiser and was then shipped by air to Chicago enclosed in a large globe.

Viewer FAQ

Where does Globe of Death sit in the The Untouchables guide?

S04E18 is listed hour 106 of 118 — hour 18 of 30 in season 4, season 4 episode 18.

When did The Untouchables S04E18 air?

Globe of Death aired 1963-02-05 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 4

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