The West Wing
The Cold
TV Flash files “The Cold” as hour 145 of 154 in the TV Flash guide — The West Wing (1999–2006) on NBC, season 7, episode 13, aired 2006-03-12, 60 min.
From the desk
How this hour is filed
This leaf is S07E13: listed hour 145 of 154 in the The West Wing guide, hour 13 of 22 in season 7. It aired 2006-03-12 (60 min). The listed hour before it is “Duck And Cover” (S07E12). Next is “Two Weeks Out” (S07E14).
Catalog log
Broadcast listing — not a TV Flash recap.
After the near-nuclear disaster at the power plant the polls show surprising, or maybe not so surprising, results for both candidates. The Vinick camp gears up for backlash while the Santos camp hopes for cause to celebrate. Meanwhile Bartlet is still trying to keep the situation in Central Asia under control. Relationships in the Santos campaign, the Vinick campaign, and the West Wing all undergo changes and Vinick and Bartlet attempt to deal with different versions of the cold.
Viewer FAQ
Where does The Cold sit in the The West Wing guide?
S07E13 is listed hour 145 of 154 — hour 13 of 22 in season 7, season 7 episode 13.
When did The West Wing S07E13 air?
The Cold aired 2006-03-12 and is listed at 60 minutes.
Where should I start?
The pilot. The walk-and-talk contract is the show. If the first hour’s pep talk feels like a recruitment ad, that is the thesis, not a bug.
In the series
Why this series still plays
Watch it for the music of people who still believe the job can be noble — network prestige as civic romance, not documentary. The Sorkin years are the novel; later seasons are the building after the composer leaves. If you want power ugly, that is another desk. This one wanted the walk.
Listen to the footsteps first. The West Wing is a drama of motion: staffers cutting corners of the set as if speed were a moral quality. Aaron Sorkin did not invent the walk-and-talk, but he made it a civic rhythm — information as music, governance as a job you could love if the lighting were kind. Martin Sheen’s Bartlet is not a president so much as a conductor. The orchestra is the communications shop, the counsel’s office, the people who speak in complete sentences because the show believes they should.
Filed against
- Martin Sheen as President Jed Bartlet
Martin Sheen’s President Josiah Bartlet made The West Wing’s Oval Office feel like moral theater — Latin quotes, tempests, and Sorkin idealism as appointment TV. Film-legend status met series father-figure heat. TV Flash still votes for…
- Allison Janney as C. J. Cregg
Allison Janney’s C. J. Cregg made The West Wing’s press room a cathedral of competence — tall, dry, and unflappable under Sorkin velocity. Multiple Emmys later, she still owns walk-and-talk authority. TV Flash files her as workplace…
- Bradley Whitford as Josh Lyman
Bradley Whitford made Josh Lyman the volatile heart of The West Wing — walk-and-talks, loyalty, and Sorkin velocity as character. Commander Joseph Lawrence on The Handmaid’s Tale later proved he could play moral gray at dystopia volume.…
- Richard Schiff as Toby Ziegler
Richard Schiff’s Toby Ziegler is The West Wing’s communications shop as a growl — walk-and-talk idealism with a speechwriter who would not smile for the civic romance. Aaron Sorkin made governance a job you could love if the lighting were…
- John Spencer as Leo McGarry
John Spencer’s Leo McGarry is The West Wing’s still center in motion — walk-and-talk idealism, Sorkin’s music in the corridors, a chief of staff who treats speed as a moral quality. NBC workplace epic, White House as job you could love.…
- Dulé Hill as Charlie Young
Dulé Hill played Charlie Young on The West Wing — presidential aide as the human tempo inside Sorkin's walk-and-talk civic romance. Competence without a podium. TV Flash files him as the staffer who made the White House feel like a…