All episodes Season 7 S07E14 2006-03-19 60 min 1990s NBC

The West Wing

Two Weeks Out

TV Flash files “Two Weeks Out” as hour 146 of 154 in the TV Flash guide — The West Wing (1999–2006) on NBC, season 7, episode 14, aired 2006-03-19, 60 min.

From the desk

How this hour is filed

This leaf is S07E14: listed hour 146 of 154 in the The West Wing guide, hour 14 of 22 in season 7. It aired 2006-03-19 (60 min). The listed hour before it is “The Cold” (S07E13). Next is “Welcome to Wherever You Are” (S07E15).

The West Wing — Two Weeks Out (S07E14)

Catalog log

Broadcast listing — not a TV Flash recap.

There are only two weeks left before Election Day and both candidates must make difficult choices at a time when they are both extremely tired. Vinick meets a famous athlete who greets him with a welcome that sings possible campaign trouble. Santos doesn't have such trouble with the athlete. Both candidates are campaigning in California with the hopes of stealing the election from the other guy in the hopes of thereby winning the election. Santos' briefcase falls into the hands of the Vinick campaign.

Viewer FAQ

Where does Two Weeks Out sit in the The West Wing guide?

S07E14 is listed hour 146 of 154 — hour 14 of 22 in season 7, season 7 episode 14.

When did The West Wing S07E14 air?

Two Weeks Out aired 2006-03-19 and is listed at 60 minutes.

Where should I start?

The pilot. The walk-and-talk contract is the show. If the first hour’s pep talk feels like a recruitment ad, that is the thesis, not a bug.

In the series

Why this series still plays

Watch it for the music of people who still believe the job can be noble — network prestige as civic romance, not documentary. The Sorkin years are the novel; later seasons are the building after the composer leaves. If you want power ugly, that is another desk. This one wanted the walk.

Listen to the footsteps first. The West Wing is a drama of motion: staffers cutting corners of the set as if speed were a moral quality. Aaron Sorkin did not invent the walk-and-talk, but he made it a civic rhythm — information as music, governance as a job you could love if the lighting were kind. Martin Sheen’s Bartlet is not a president so much as a conductor. The orchestra is the communications shop, the counsel’s office, the people who speak in complete sentences because the show believes they should.

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Also in season 7

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