J.D. Cannon — TV Flash editorial portrait
Actor McCloud

Chief Peter B. Clifford

J.D. Cannon

J.D. Cannon’s Chief Peter B. Clifford parked McCloud’s New York while a New Mexico marshal brought boots onto asphalt — Mystery Movie wheel, post-Gunsmoke reinvention, cowboy patience colliding with Manhattan procedure. 1970s fish-out-of-water crime. TV Flash files him as the chief the drawl had to report to.

J.D. Cannon plays Chief Peter B. Clifford on McCloud (NBC, 1970–1977), the 1970s Mystery Movie hour that drops Dennis Weaver’s New Mexico marshal — boots, hat, western myth — onto New York asphalt. Fish-out-of-water crime, post-Gunsmoke reinvention with a drawl.

Clifford is the Manhattan procedure the cowboy patience has to collide with. Cannon sells the chief as a job, not a scowl in a doorway. Charm wins the hour; the chief makes it look like a department.

J.D. Cannon does this work on McCloud, NBC's 1970–1977 stretch. J.D. Cannon’s Chief Peter B. Clifford parked McCloud’s New York while a New Mexico marshal brought boots onto asphalt — Mystery Movie wheel, post-Gunsmoke reinvention, cowboy patience colliding with Manhattan procedure. 1970s fish-out-of-water crime. The desk files Chief Peter B. Clifford as position.

J.D. Cannon's brief on McCloud starts at s01e01: Portrait of a Dead Girl (or Who Killed Miss U.S.A.?) opens the boots-on-asphalt brief. Weaver's New Mexico marshal already a western myth in New York; fish-out-of-water on the Mystery Movie wheel. s03e01 is where the pairing (or the solo) proves it is structure: The New Mexican Connection is the title restating the joke. Post-Gunsmoke reinvention with a drawl: cowboy patience colliding with Manhattan procedure, winning the hour on charm. s04e01 is later weather, not a spoiler map — Butch Cassidy Rides Again is western folklore crashing the NYC brief. McCloud as a hat in a precinct: the wheel still spinning fish-out-of-water crime as comfort.

On TV Flash he is the asphalt. Watch the collision as the form. We file Cannon as 1970s procedural craft: the Clifford who made a western-in-the-city photograph as a precinct, still the reason McCloud has a boss as well as a horse-metaphor.

FAQ

What's the honest first filing for J.D. Cannon?

Begin with s01e01 so McCloud's house style is loud. Portrait of a Dead Girl (or Who Killed Miss U.S.A.?) opens the boots-on-asphalt brief. Weaver's New Mexico marshal already a western myth in New York; fish-out-of-water on the Mystery Movie wheel. J.D. Cannon does not need a clip reel; the first filing is the stance.

Lead energy or supporting craft?

Ensemble with a named job. McCloud is a company hour; Chief Peter B. Clifford is a specific instrument. J.D. Cannon is not a walk-on — the mosaic needs that tile when the camera leaves the star.

Which McCloud filing still has the bruise for Chief Peter B. Clifford?

Cue s03e01. The New Mexican Connection is the title restating the joke. Post-Gunsmoke reinvention with a drawl: cowboy patience colliding with Manhattan procedure, winning the hour on charm. If you want a third pin, s04e01 is later weather: Butch Cassidy Rides Again is western folklore crashing the NYC brief. McCloud as a hat in a precinct: the wheel still spinning fish-out-of-water crime as comfort. Neither is a plot dump.

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  1. ShowMcCloudNew Mexico marshal in New York — boots on asphalt fish-out-of-water crime.

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