Law & Order
Turnaround
TV Flash files “Turnaround” as hour 150 of 545 in the TV Flash guide — Law & Order (1990–2010) on NBC, season 7, episode 16, aired 1997-03-20, 60 min.
From the desk
How this hour is filed
This leaf is S07E16: listed hour 150 of 545 in the Law & Order guide, hour 16 of 23 in season 7. It aired 1997-03-20 (60 min). The listed hour before it is “D-Girl” (S07E15). Next is “Showtime” (S07E17). Broadcast log — titles and dates, not a plot bible.
Catalog log
Broadcast listing — not a TV Flash recap.
In New York, Briscoe and Curtis try to pin down the suspect's schedule on the night of the murder, but find instead that another man was in the area at the right time and more importantly, might have a motive for the crime. After a new arrest warrant is issued, McCoy and Ross have to fly to L.A. to defend their warrant against attacks by the man's defense counsel, Ross's former husband Neal Gorton.
Viewer FAQ
Where does Turnaround sit in the Law & Order guide?
S07E16 is listed hour 150 of 545 — hour 16 of 23 in season 7, season 7 episode 16.
When did Law & Order S07E16 air?
Turnaround aired 1997-03-20 and is listed at 60 minutes.
Do I watch in order, or is it modular?
Modular is the point. Cases close. Casts change. Start anywhere in the original 1990–2010 run and you will understand the clang within twenty minutes. Order matters only if you care which partner is standing next to whom.
In the series
Why this series still plays
For the walnut that became a city: street then courtroom, a clang as civic punctuation, and two decades of interchangeable parts that taught TV how to clone a night. Comfort is the feature. The original 1990–2010 cathedral still teaches the form; the revival is the machine refusing to clock out.
Picture a Tuesday when the nation still had a cop show that split like a walnut: first the street, then the courtroom, a clang on the soundtrack that became civic punctuation. Law & Order premiered September 13, 1990, on NBC, created by Dick Wolf, and it did not invent the procedural so much as industrialize it. Prescription for Death is the template in miniature — a hospital night, a dead patient, cops then lawyers, no hug required. On the palate: newsprint, a New York that looks like a location budget with a…
Filed against
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Benjamin Bratt’s Det. Rey Curtis brought intensity to Law & Order’s dun-dun empire — partner chemistry, ripped-from-headlines cool, and franchise modular star power. He made the squad room feel urgent. TV Flash keeps him in the procedural…
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Jesse L. Martin’s Ed Green is Law & Order as the partner who made the dun-dun feel like a city again — ripped-from-headlines modular television with a badge that photographed as heat, not paperwork. Dick Wolf’s empire runs on cast churn.…