All episodes Season 1 S01E13 1957-12-14 60 min 1950s CBS

Perry Mason

Erle Stanley Gardner's The Case of the Moth-Eaten Mink

TV Flash files “Erle Stanley Gardner's The Case of the Moth-Eaten Mink” as hour 13 of 271 in the TV Flash guide — Perry Mason (1957–1966) on CBS, season 1, episode 13, aired 1957-12-14, 60 min.

From the desk

How this hour is filed

This leaf is S01E13: listed hour 13 of 271 in the Perry Mason guide, hour 13 of 39 in season 1. It aired 1957-12-14 (60 min). The listed hour before it is “Erle Stanley Gardner's The Case of the Negligent Nymph” (S01E12). Next is “Erle Stanley Gardner's The Case of the Baited Hook” (S01E14).

Perry Mason — Erle Stanley Gardner's The Case of the Moth-Eaten Mink (S01E13)

Catalog log

Broadcast listing — not a TV Flash recap.

Perry and Della's visit to a restaurant is interupted when a waitress is shot at. After they hide her mink, they discover it contains a pawn ticket that may hold the key to the past murder of a police officer.

Viewer FAQ

Where does Erle Stanley Gardner's The Case of the Moth-Eaten Mink sit in the Perry Mason guide?

S01E13 is listed hour 13 of 271 — hour 13 of 39 in season 1, season 1 episode 13.

When did Perry Mason S01E13 air?

Erle Stanley Gardner's The Case of the Moth-Eaten Mink aired 1957-12-14 and is listed at 60 minutes.

Where should I start?

Start with the 1957 restless-redhead opener to learn the grammar, then one tight first-season case. The pleasure is structure, not a serialized mystery box.

In the series

Why this series still plays

Burr’s stillness is the camera’s argument: delay as pleasure, court as stage, the last witness as a kept promise. Watch a weekly legal machine that made justice appointment theater — then the rare hour the rails fail, which is how you learn the contract was always a contract.

Watch the stillness first. Raymond Burr does not play brilliance as sweat. He plays it as furniture that has already been placed. Perry Mason, from the 1957 opener onward, is a legal procedural that understands delay as pleasure: investigation as a corridor, the courtroom as a stage, the last witness as a structural promise. The tabloids will say Burr’s public image was a managed cathedral — and they are not wrong, as gossip. The cut says something dryer. The camera trusts a man who barely moves, then lets the…

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Also in season 1

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