All episodes Season 1 S01E16 1958-01-04 60 min 1950s CBS

Perry Mason

Erle Stanley Gardner's The Case of the Demure Defendant

TV Flash files “Erle Stanley Gardner's The Case of the Demure Defendant” as hour 16 of 271 in the TV Flash guide — Perry Mason (1957–1966) on CBS, season 1, episode 16, aired 1958-01-04, 60 min.

From the desk

How this hour is filed

This leaf is S01E16: listed hour 16 of 271 in the Perry Mason guide, hour 16 of 39 in season 1. It aired 1958-01-04 (60 min). The listed hour before it is “Erle Stanley Gardner's The Case of the Fan Dancer's Horse” (S01E15). Next is “Erle Stanley Gardner's The Case of the Sun Bather's Diary” (S01E17).

Perry Mason — Erle Stanley Gardner's The Case of the Demure Defendant (S01E16)

Catalog log

Broadcast listing — not a TV Flash recap.

A timid young woman who was browbeaten by her wealthy uncle is charged with his murder. She confesses while under the influence of truth serum, but Perry Mason has his doubts.

Viewer FAQ

Where does Erle Stanley Gardner's The Case of the Demure Defendant sit in the Perry Mason guide?

S01E16 is listed hour 16 of 271 — hour 16 of 39 in season 1, season 1 episode 16.

When did Perry Mason S01E16 air?

Erle Stanley Gardner's The Case of the Demure Defendant aired 1958-01-04 and is listed at 60 minutes.

Where should I start?

Start with the 1957 restless-redhead opener to learn the grammar, then one tight first-season case. The pleasure is structure, not a serialized mystery box.

In the series

Why this series still plays

Burr’s stillness is the camera’s argument: delay as pleasure, court as stage, the last witness as a kept promise. Watch a weekly legal machine that made justice appointment theater — then the rare hour the rails fail, which is how you learn the contract was always a contract.

Watch the stillness first. Raymond Burr does not play brilliance as sweat. He plays it as furniture that has already been placed. Perry Mason, from the 1957 opener onward, is a legal procedural that understands delay as pleasure: investigation as a corridor, the courtroom as a stage, the last witness as a structural promise. The tabloids will say Burr’s public image was a managed cathedral — and they are not wrong, as gossip. The cut says something dryer. The camera trusts a man who barely moves, then lets the…

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Also in season 1

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