All episodes Season 1 S01E18 1958-01-18 60 min 1950s CBS

Perry Mason

Erle Stanley Gardner's The Case of the Cautious Coquette

TV Flash files “Erle Stanley Gardner's The Case of the Cautious Coquette” as hour 18 of 271 in the TV Flash guide — Perry Mason (1957–1966) on CBS, season 1, episode 18, aired 1958-01-18, 60 min.

From the desk

How this hour is filed

This leaf is S01E18: listed hour 18 of 271 in the Perry Mason guide, hour 18 of 39 in season 1. It aired 1958-01-18 (60 min). The listed hour before it is “Erle Stanley Gardner's The Case of the Sun Bather's Diary” (S01E17). Next is “Erle Stanley Gardner's The Case of the Haunted Husband” (S01E19).

Perry Mason — Erle Stanley Gardner's The Case of the Cautious Coquette (S01E18)

Catalog log

Broadcast listing — not a TV Flash recap.

While investigation a hit-and-run, Perry Mason meets a model who is being blackmailed by her estranged husband. When the husband shows up dead, our hero suspects the two cases are related.

Viewer FAQ

Where does Erle Stanley Gardner's The Case of the Cautious Coquette sit in the Perry Mason guide?

S01E18 is listed hour 18 of 271 — hour 18 of 39 in season 1, season 1 episode 18.

When did Perry Mason S01E18 air?

Erle Stanley Gardner's The Case of the Cautious Coquette aired 1958-01-18 and is listed at 60 minutes.

Where should I start?

Start with the 1957 restless-redhead opener to learn the grammar, then one tight first-season case. The pleasure is structure, not a serialized mystery box.

In the series

Why this series still plays

Burr’s stillness is the camera’s argument: delay as pleasure, court as stage, the last witness as a kept promise. Watch a weekly legal machine that made justice appointment theater — then the rare hour the rails fail, which is how you learn the contract was always a contract.

Watch the stillness first. Raymond Burr does not play brilliance as sweat. He plays it as furniture that has already been placed. Perry Mason, from the 1957 opener onward, is a legal procedural that understands delay as pleasure: investigation as a corridor, the courtroom as a stage, the last witness as a structural promise. The tabloids will say Burr’s public image was a managed cathedral — and they are not wrong, as gossip. The cut says something dryer. The camera trusts a man who barely moves, then lets the…

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Also in season 1

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