All episodes Season 1 S01E39 1958-06-28 60 min 1950s CBS

Perry Mason

Erle Stanley Gardner's The Case of the Rolling Bones

TV Flash files “Erle Stanley Gardner's The Case of the Rolling Bones” as the last listed hour of season 1 — Perry Mason (1957–1966) on CBS, season 1, episode 39, aired 1958-06-28, 60 min.

From the desk

How this hour is filed

This leaf is S01E39: listed hour 39 of 271 in the Perry Mason guide, last listed hour of season 1. It aired 1958-06-28 (60 min). The listed hour before it is “Erle Stanley Gardner's The Case of the Terrified Typist” (S01E38). Next is “The Case of the Corresponding Corpse” (S02E01).

Perry Mason — Erle Stanley Gardner's The Case of the Rolling Bones (S01E39)

Catalog log

Broadcast listing — not a TV Flash recap.

An old man seems to be giving his money away, something his nephew and wife try to stop by having him committed. But once he escapes from the sanitarium, he's accused of murder.

Viewer FAQ

Where does Erle Stanley Gardner's The Case of the Rolling Bones sit in the Perry Mason guide?

S01E39 is listed hour 39 of 271 — last listed hour of season 1, season 1 episode 39.

When did Perry Mason S01E39 air?

Erle Stanley Gardner's The Case of the Rolling Bones aired 1958-06-28 and is listed at 60 minutes.

Where should I start?

Start with the 1957 restless-redhead opener to learn the grammar, then one tight first-season case. The pleasure is structure, not a serialized mystery box.

In the series

Why this series still plays

Burr’s stillness is the camera’s argument: delay as pleasure, court as stage, the last witness as a kept promise. Watch a weekly legal machine that made justice appointment theater — then the rare hour the rails fail, which is how you learn the contract was always a contract.

Watch the stillness first. Raymond Burr does not play brilliance as sweat. He plays it as furniture that has already been placed. Perry Mason, from the 1957 opener onward, is a legal procedural that understands delay as pleasure: investigation as a corridor, the courtroom as a stage, the last witness as a structural promise. The tabloids will say Burr’s public image was a managed cathedral — and they are not wrong, as gossip. The cut says something dryer. The camera trusts a man who barely moves, then lets the…

Open the Perry Mason package · Season 1 hub

Filed against

Also in season 1

← Full episode guide · Show package · All shows