All episodes Season 3 S03E21 1962-04-05 60 min 1950s ABC

The Untouchables

Man in the Middle

TV Flash files “Man in the Middle” as hour 81 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 3, episode 21, aired 1962-04-05, 60 min.

From the desk

How this hour is filed

This leaf is S03E21: listed hour 81 of 118 in the The Untouchables guide, hour 21 of 28 in season 3. It aired 1962-04-05 (60 min). The listed hour before it is “The Maggie Storm Story” (S03E20). Next is “Downfall” (S03E22).

The Untouchables — Man in the Middle (S03E21)

Catalog log

Broadcast listing — not a TV Flash recap.

Slot machines have become all the rage and William 'Porker' Davis is making a fortune on all of those nickels and dimes. He soon comes under pressure from mobster Joe Bomer who's prepared to let him stay in business provided he gives the players a 70% return on their bets thereby making sure they will always come back. Davis agrees but when Bomer finds out the machines have been doctored to pay out less, Davis is soon on the run.

Viewer FAQ

Where does Man in the Middle sit in the The Untouchables guide?

S03E21 is listed hour 81 of 118 — hour 21 of 28 in season 3, season 3 episode 21.

When did The Untouchables S03E21 air?

Man in the Middle aired 1962-04-05 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 3

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