All episodes Season 3 S03E22 1962-05-03 60 min 1950s ABC

The Untouchables

Downfall

TV Flash files “Downfall” as hour 82 of 118 in the TV Flash guide — The Untouchables (1959–1963) on ABC, season 3, episode 22, aired 1962-05-03, 60 min.

From the desk

How this hour is filed

This leaf is S03E22: listed hour 82 of 118 in the The Untouchables guide, hour 22 of 28 in season 3. It aired 1962-05-03 (60 min). The listed hour before it is “Man in the Middle” (S03E21). Next is “The Case Against Eliot Ness” (S03E23).

The Untouchables — Downfall (S03E22)

Catalog log

Broadcast listing — not a TV Flash recap.

Joseph December is a legitimate businessman and the scion of a wealthy family who own the Great Lakes Pacific railroad which, by all accounts, is on its last legs. With Eliot Ness receiving hot tips and managing to intercept liquor being smuggled in from Canada, Al Capone enforcer Pete 'The Persuader' Kalmiski and his underling Allan Sitkin approach December to make a deal. In return for letting them use his railway, December get to keep 20% of the proceeds.

Viewer FAQ

Where does Downfall sit in the The Untouchables guide?

S03E22 is listed hour 82 of 118 — hour 22 of 28 in season 3, season 3 episode 22.

When did The Untouchables S03E22 air?

Downfall aired 1962-05-03 and is listed at 60 minutes.

Where should I start?

Start with Stack's Ness and Winchell's newsreel bark in early Chicago-raid form. The granite stare and the tommy-gun morality are the brief.

In the series

Why this series still plays

The Untouchables is Eliot Ness versus Capone's Chicago: Robert Stack's granite stare, Walter Winchell's newsreel bark, Desilu muscle, machine-gun morality in sharp suits. Watch it in 2026 as violent prestige crime that pushed 1950s network boundaries — raids as spectacle, and a national argument about blood and stereotype.

The work is a raid with newsreel grammar. ABC's *The Untouchables* (1959–1963) makes Robert Stack's granite stare into crime-drama law: 118 episodes, four seasons, Eliot Ness and an incorruptible squad, Walter Winchell's rat-a-tat narration, Desilu production gloss, machine-gun morality in sharp suits. Loosely inspired by Ness's Prohibition-era memoir. Quinn Martin's later crime empire would refine the procedural; this was the loud opening statement. Justice came in fedoras and final shootouts.

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Filed against

Also in season 3

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