All episodes Season 1 S01E20 1958-02-01 52 min 1950s CBS

Perry Mason

Erle Stanley Gardner's The Case of the Lonely Heiress

TV Flash files “Erle Stanley Gardner's The Case of the Lonely Heiress” as hour 20 of 271 in the TV Flash guide — Perry Mason (1957–1966) on CBS, season 1, episode 20, aired 1958-02-01, 52 min.

From the desk

How this hour is filed

This leaf is S01E20: listed hour 20 of 271 in the Perry Mason guide, hour 20 of 39 in season 1. It aired 1958-02-01 (52 min). The listed hour before it is “Erle Stanley Gardner's The Case of the Haunted Husband” (S01E19). Next is “Erle Stanley Gardner's The Case of the Green-eyed Sister” (S01E21).

Perry Mason — Erle Stanley Gardner's The Case of the Lonely Heiress (S01E20)

Catalog log

Broadcast listing — not a TV Flash recap.

Detective Paul Drake helps a magazine publisher locate an heiress. But when the publisher is cut out of a deal and a con man is poisoned, the heiress is charged with murder.

Viewer FAQ

Where does Erle Stanley Gardner's The Case of the Lonely Heiress sit in the Perry Mason guide?

S01E20 is listed hour 20 of 271 — hour 20 of 39 in season 1, season 1 episode 20.

When did Perry Mason S01E20 air?

Erle Stanley Gardner's The Case of the Lonely Heiress aired 1958-02-01 and is listed at 52 minutes.

Where should I start?

Start with the 1957 restless-redhead opener to learn the grammar, then one tight first-season case. The pleasure is structure, not a serialized mystery box.

In the series

Why this series still plays

Burr’s stillness is the camera’s argument: delay as pleasure, court as stage, the last witness as a kept promise. Watch a weekly legal machine that made justice appointment theater — then the rare hour the rails fail, which is how you learn the contract was always a contract.

Watch the stillness first. Raymond Burr does not play brilliance as sweat. He plays it as furniture that has already been placed. Perry Mason, from the 1957 opener onward, is a legal procedural that understands delay as pleasure: investigation as a corridor, the courtroom as a stage, the last witness as a structural promise. The tabloids will say Burr’s public image was a managed cathedral — and they are not wrong, as gossip. The cut says something dryer. The camera trusts a man who barely moves, then lets the…

Open the Perry Mason package · Season 1 hub

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Also in season 1

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