All episodes Season 1 S01E21 1958-02-08 60 min 1950s CBS

Perry Mason

Erle Stanley Gardner's The Case of the Green-eyed Sister

TV Flash files “Erle Stanley Gardner's The Case of the Green-eyed Sister” as hour 21 of 271 in the TV Flash guide — Perry Mason (1957–1966) on CBS, season 1, episode 21, aired 1958-02-08, 60 min.

From the desk

How this hour is filed

This leaf is S01E21: listed hour 21 of 271 in the Perry Mason guide, hour 21 of 39 in season 1. It aired 1958-02-08 (60 min). The listed hour before it is “Erle Stanley Gardner's The Case of the Lonely Heiress” (S01E20). Next is “Erle Stanley Gardner's The Case of the Fugitive Nurse” (S01E22).

Perry Mason — Erle Stanley Gardner's The Case of the Green-eyed Sister (S01E21)

Catalog log

Broadcast listing — not a TV Flash recap.

A dowdy woman comes to Perry Mason for help. Her wealthy father is being blackmailed, and she's afraid if her fiance' finds out, he'll break off their engagement.

Viewer FAQ

Where does Erle Stanley Gardner's The Case of the Green-eyed Sister sit in the Perry Mason guide?

S01E21 is listed hour 21 of 271 — hour 21 of 39 in season 1, season 1 episode 21.

When did Perry Mason S01E21 air?

Erle Stanley Gardner's The Case of the Green-eyed Sister aired 1958-02-08 and is listed at 60 minutes.

Where should I start?

Start with the 1957 restless-redhead opener to learn the grammar, then one tight first-season case. The pleasure is structure, not a serialized mystery box.

In the series

Why this series still plays

Burr’s stillness is the camera’s argument: delay as pleasure, court as stage, the last witness as a kept promise. Watch a weekly legal machine that made justice appointment theater — then the rare hour the rails fail, which is how you learn the contract was always a contract.

Watch the stillness first. Raymond Burr does not play brilliance as sweat. He plays it as furniture that has already been placed. Perry Mason, from the 1957 opener onward, is a legal procedural that understands delay as pleasure: investigation as a corridor, the courtroom as a stage, the last witness as a structural promise. The tabloids will say Burr’s public image was a managed cathedral — and they are not wrong, as gossip. The cut says something dryer. The camera trusts a man who barely moves, then lets the…

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Also in season 1

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