That Girl — editorial still collage for TV Flash
1960s 1966–1971 ABC sitcom

That Girl

Marlo Thomas's aspiring actress — single-girl independence in a still-daddy world.

Bridge between traditional sitcoms and the independent-woman wave of the 1970s.

Why it matters

Why That Girl still plays

Ann Marie moves to New York and the sitcom window stops being a housewife lease. Marlo Thomas headlined ABC's *That Girl* (1966–1971; **five seasons, 136 episodes**), a single-woman sitcom that treated career dreams as plot, not punchline setup alone. Bill Persky and Sam Denoff made the city a character and Ann's apartment a manifesto. Ted Bessell's Donald as the almost-fiancé. Lew Parker's dad orbiting a woman who declined to go home to daddy's script. Independence looking like a weekly fashion editorial is not a gown discourse. It is a scheduling decision: who gets to own the half-hour.

It wasn't radical politics; it was visible autonomy in a dress. The series mainstreamed the single working woman as sitcom lead and softened the ground for 1970s workplace feminism on TV — often cited as a key precursor to *The Mary Tyler Moore Show*. Thomas's producing power and the proto-feminist framing still get reclaimed, which is the gossip behind the number. Rex will call it sparkle. The chart is a five-season bridge between traditional sitcoms and the independent-woman wave. Every later single-lady sitcom still shops in her closet.

How the hustle actually charts: 1. *Don't Just Do Something, Stand There* — independence contract, acting-career sitcom as a fashion still. 2. *Pass the Potatoes, Ethel Merman* — season-two guest wattage, Broadway adjacency as plot fuel. 3. *Sock It to Me* opens 1968 in the era's catchphrase clothes. 4. *Mission Improbable* — spy-title wink as career-girl farce. 5. *The Elevated Woman* closes five seasons of sparkle-and-hustle.

The Ann Marie silhouette remains shorthand for swinging-sixties ambition. Dump culture wants to binge her toward Mary. *That Girl* is the window, not the homework. Five seasons of sparkle with genuine stakes: aspiring actress, New York apartment, Donald in orbit, dad declined. Shade the nostalgia that files independent-woman TV as a 1970s invention. The 1966 lease already moved her to the city.

Watch it as the stylish bridge, not as a leftover housewife joke. If a later platform buries Thomas under the MTM chrome, you'll know who lost the room. Persky and Denoff already sold independence as the assignment. The apartment is the product. The 1970s did not invent the half-hour she already occupied.

How this series is filed

TV Flash files That Girl (1966–1971) on ABC as the episode guide: 136 listed hours across 5 seasons, 1966-09-08–1971-03-19 from “Don't Just Do Something, Stand There” (S01E01) to “The Elevated Woman” (S05E24).

Open the episode guide · S01E01 Don't Just Do Something, Stand There · S05E24 The Elevated Woman

Essential episodes

Ann Marie's New York as weekly fashion editorial — career dreams as plot, not just punchline setup. Filed by Max Sterling (Streaming Confidential).

  1. S01E01 Don't Just Do Something, Stand There

    Don't Just Do Something, Stand There is the independence contract: Marlo Thomas in New York, acting-career sitcom as a fashion still.

  2. S02E01 Pass the Potatoes, Ethel Merman

    Pass the Potatoes, Ethel Merman — season-two guest wattage, single-woman sitcom treating Broadway adjacency as plot fuel.

  3. S03E01 Sock It to Me

    Sock It to Me opens 1968 in the era's catchphrase clothes: That Girl as the stylish bridge toward Mary Tyler Moore.

  4. S04E01 Mission Improbable (1)

    Mission Improbable (1) — spy-title wink as career-girl farce, the New York apartment still a weekly editorial.

  5. S05E24 The Elevated Woman

    The Elevated Woman closes five seasons of sparkle-and-hustle: independence as the assignment, not a leftover housewife joke.

At a glance

Ann Marie moves to New York to make it as an actress, keeps Donald as the almost-fiancé, and makes independence look like a weekly fashion editorial. Marlo Thomas headlined ABC's That Girl (1966–1971; 136 episodes), a single-woman sitcom that treated career dreams as plot, not punchline setup alone. Bill Persky and Sam Denoff's series made the city a character and Ann's apartment a manifesto. It wasn't radical politics; it was visible autonomy in a dress and a determination not to go home to daddy's script. Every later single-lady sitcom still shops in her closet.

Network & studio

Why watch now

Ann Marie moves to New York to make it as an actress and makes independence look like a weekly fashion editorial. Marlo Thomas's single-woman sitcom treated career dreams as plot, not punchline setup alone. The stylish bridge between housewife sitcoms and Mary Tyler Moore — sparkle with genuine stakes.

Cultural impact

That Girl mainstreamed the single working woman as sitcom lead and made Marlo Thomas a symbol of aspirational independence. It softened the ground for 1970s workplace feminism on TV. The Ann Marie silhouette remains a pop-culture shorthand for swinging-sixties ambition.

Gossip hook. Thomas's producing power and the series' proto-feminist framing still get reclaimed.

Creators

Bill Persky · Sam Denoff

Key cast

Flash facts

FAQ

Where should I start?

Ann Marie's New York acting-career premise is the contract: Thomas's charm, the apartment as manifesto, Donald as the boyfriend orbit. Early episodes sell the independence; later ones ride the five-season run.

Do I need all five seasons?

No. Weekly single-girl sitcom. Sample the career-stakes hours rather than treating 136 episodes as a novel. The historical weight is the lead, not a serialized climb.

Is it only important as a Mary Tyler Moore precursor?

It is often cited as a key precursor to that independent-woman wave, but it also sparkles on its own: fashion-editorial sitcom with a city and a job. Watch the charm, then the gender-history footnote.

Comedy or manifesto?

Sitcom first — stylish, romantic, career-minded. The autonomy is visible rather than a lecture.

Back to the decade

More from the 1960s — Color, Spies & Space. All shows.

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